James Bond’s epic car chase in a Citroën 2CV in Corfu

One of the all time favourite James Bond movies, For Your Eyes Only, duration 127 minutes and directed by John Glen, was released on July 2nd 1981. Worldwide it made 195 million US dollars and effectively saved United Artists from financial ruin. When British actor Roger Moore – in 2003 knighted by Queen Elizabeth II – had become Sir Roger Moore he would clearly remember which car he liked best in the seven Bond movies he played in: “The Citroën 2CV was my favourite.”

So where did he drive the 2CV? Corfu was one of the primary locations in For Your Eyes Only. We see James Bond and Bond-girl Melina Havelock (French actress and model Carole Bouquet) in sceneries ranging from the Agios Spyridon church, the Old Fortress and the Mandraki marina in Corfu Town, to the Vlacherna monastery and Kanoni island, Danilia village, the Achilleion casino, and Agios Georgios beach. And the narrow, winding roads of course that turn the odd car chase into something else!

Yellow Citroën 2CV
Let’s watch Bond and Melina being chased and gunned at in a yellow – no, not a submarine – but a Citroën 2CV through the rough terrain of olive groves. They end up in the narrow streets of the village Pagoi (in Corfu’s hilly northwest, between Palaiokastritsa and Agios Georgios). Melina driving escapes from running straight into a bus by turning the car upside down, near a café. Bond to Melina: “Take the low road… not too low.”

Bystanders rush in to roll the car upright again and on goes the epic chase, now with 007 behind the wheel: “You don’t mind if I drive, do you?” Next thing we see is bus nr. 44 continue its journey to… Madrid – as this part of the movie story is taking place in Spain. (Are you still with me?)

Roger Moore (1927-2017) lived to be almost ninety years of age. Carole Bouquet (playing the character of Melina Havelock) was only 23 when the movie was shot, being thirty years his younger. She is acting to this day.

Spiros Bond 007 Café Bar
Want to visit the café opposite the spot where the famous yellow 2CV went upside down? Spiros Bond 007 Café Bar does not just provide a terrace with a (virtual) view of that spectacular film scene, inside you will find many photographs, posters and memorabilia reviving For Your Eyes Only. You will find the café (actually a restaurant as well) in Pagoi, on the provincial road Arkadades-Agios Georgios. Want to stir up your appetite and see the car chase (4min. 40 sec.)? Follow this link to YouTube.

The interior of the café, not ‘for your eyes only’

Achilles’ Triumph, a painting by Franz Matsch

‘Triumph des Achill’ (1894), a 10 x 3 metres (!) fresco by Franz Matsch in Empress Sisi’s Achillion Palace in Corfu.

The tragic life of Empress Elisabeth (Sisi) of Austria and Queen of Hungary (1837-1898) has been subjected to many books and films. Her heritage on Corfu consists of stone and bronze, gardens and terraces, sculptures, ornaments and paintings: Achilleion Palace. Designed in Dorian, Ionian and Pompeian styles by two Napolitan architects and built between 1889 and 1891 the ‘Achillio’ to some is a monstrosity spoiling the lovely landscape, to others a fine piece of living history. Either way the neo-classical building – now Museum Achillion – keeps drawing coach loads of tourists to the village of Gastouri. Some of whom may well be interested in the resident who acquired the palace some years after Sisi’s death and turned it into a centre of European diplomacy: the German Emperor Wilhelm II.

For your eyes only
Some other time I might take you through the 72 lavishly furnished rooms, halls and chapel of the museum, for now I content myself taking you through the gardens and up a flight of stairs. Come see the grand terrace on the back that levels with the palace’s second floor. See the dazzling grey and white pattern of the floor tiles, remember the scene in the casino in the James Bond movie “For Your Eyes Only”, admire the row of busts of the blind poet Homer and the Greek philosophers, Shakespeare and the Nine Muses, and then…

Then gaze through the windows to catch a view of the upper part of the main hall, a view that is hidden to you from the inside of the palace, as the stairway to the second floor is closed for the public. But there it is: ‘Triumph des Achill’, as Sisi and the painter called it in German, ‘Achilles’ Triumph’. Homer again!

Ten metres by three…
Even from where you are on the terrace, quite a bit away, you most likely cannot help being overwhelmed. The Austrian painter Franz senior Matsch worked on this panoramic, ten metres by three fresco at intervals during the years 1892 to 1894. He had worked for Sisi before, decorating the Hermes Villa near Vienna and this time he choose to depict one of the cruelest scenes from Homer’s Iliad. But he was instructed carefully how to picture it.

We stare at the Greek hero and warrior Achilles racing on his horse drawn chariot around the walls of Troy. The warrior is showing off the helmet that Hector, Troy’s king Priamos’ son, was wearing when he killed him in a duel. Hector’s lifeless body is being dragged behind the chariot through the dust, for all to see from high upon the walls of Troy, his parents, his wife and new-born son…

Rage and horror
The rage of Achilles is there, who has seen his best friend Patroklos slain the other day by the same Hector. It flashes like the helmet he holds out to the sun and shines in the sweaty skin of the dark horse. The vengeful jubilation of the Greek warriors is there, swaying their weapons and running after the chariot. And the horror and dismay of the Trojan spectators is there, even though Matsch protected Hektor from the bloody fate that Homer created for him: his head is out of sight and none of his multiple wounds is visible (see: Homer, Iliad, 22, verses 375-404).

The empress wanted her Achilles should not be a muscular warrior. And he is not. Perhaps with his angelic face he had to counterbalance the sculpture by Ernst Herter (1884) further down in the garden, a dying Achilles that pulls the fateful arrow out of his heel. In fact Achilles is omnipresent, inside the palace and outside.

Hidden failure?
Many years ago, as I was going to the “Achillio” for the first time, I was prepared by a born islander. He wanted me to detect the painting’s hidden failure. A fatal failure, that caused the painter to kill himself soon after he had finished his long labour. On my return I admitted to my friend I hadn’t got a clue. Ah, but it was in the wheel of the chariot, he said. It showed no movement, it looked like a photograph taken at a shutter speed of 1/1000 sec.

Then I dug into Franz Matsch. Born in Vienna in 1861 he enjoyed a fruitful career as a painter, sculptor and instructor. He studied and worked with the painters Gustav Klimt and Ernst Klimt, decorating theaters throughout the Austro-Hungarian Empire. Around 1891 the artistic trio fell apart. Franz Matsch devoted himself to portrait painting, which he did with some success. Gustav Klimt became very popular with his own personal style of painting.

The “Anker-Uhr
From 1893 to 1901 Matsch was a teacher at the Vienna School of Arts and Crafts. In the years 1911-1917 he designed the landmark “Anker-Uhr” clock in Vienna’s first district on the “Hoher Markt”, where it can still be seen today. Franz Matsch lived to be 81 and died of old age in 1942, half a century after the unveiling of his monumental fresco in the “Achillio”. And yes, the style of his triumphing Achilles resembles the art practice of an “action shot”, popular throughout different periods in the history of art. Although it’s true the left part of the painting shows considerably more “movement”.

Rudolfs suicide
There was someone else who took his life. Empress Elisabeth’s son, the crown prince Rudolf von Habsburg, did in January 1889. Thirty years of age he had just caused the death of his mistress, 17 years young. Shortly after these horrendous events Elisabeth decided to make Corfu her home. She had her Achilleion Palace built and in the memory of her beloved son she idealized Achilles, the strong and divinely beautiful hero. The demigod that would have been immortal if it wasn’t for that vulnerable spot at the back of his heel.

P.S.
A remarkable feature is to be seen in the upper right hand corner of Matsch’ fresco. Above the gate in the wall there is a swastika. Of course in 1894 there was not such a thing as a nazi symbol. This abstract figure – that probably originates from an ancient culture in India – was one of the symbols of the city of Troy.

Empress Elisabeth of Austria was stabbed and killed on the quay of Lake Geneva on the 10th of September 1898 by the Italian anarchist Luigi Lucheni.

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